tag:blogger.com,1999:blog-87012027365106756062024-03-12T16:20:56.416-07:00A Secret Life of ThingsCollected Works and Writings of Craig PorterCraig Porterhttp://www.blogger.com/profile/11569455170932446377noreply@blogger.comBlogger6125tag:blogger.com,1999:blog-8701202736510675606.post-10656426034009281452012-09-21T12:55:00.004-07:002012-09-27T04:18:55.554-07:00<div style="text-align: center;">
RE: Arrange - Group Show, Harbourfront</div>
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<a href="http://www.harbourfrontcentre.com/visualarts/2012/re-arrange/">http://www.harbourfrontcentre.com/visualarts/2012/re-arrange/ </a><br />
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Michael Abraham, John Abrams, Elizabeth D’Agostino, Vanessa Maltese, Lorna Mills, Luke Painter, Craig Porter, David Trautrimas<br />
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Curated by Patrick Macaulay<br />
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The title of this exhibition is Re: Arrange but it could have also been called Re: Purpose or Re: Think or even Re: Start, as all of these descriptors aptly portray the creative process of the artist in their studio. Artists spend a lot of time playing around. Not “playing,” playing, but being creatively playful. Trying new materials, switching things up, moving things around, all in search of inspiration and resolve in the artistic process. What happens when something is removed or added could be the answer to making something work. The artistic process is all about experimentation; trying new approaches. This exhibition brings eight artists together who are playful in their artistic practice. <br />
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–Patrick Macaulay<br />
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What a great group of artists to be showing with. I'm really pumped.<br />
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In studio image:<br />
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<a href="http://4.bp.blogspot.com/-tDErH4c4Lbs/UFzFWnTf56I/AAAAAAAAAP4/_934eH0jt30/s1600/Archeron%27s+Bed+-+Studio.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/-tDErH4c4Lbs/UFzFWnTf56I/AAAAAAAAAP4/_934eH0jt30/s320/Archeron%27s+Bed+-+Studio.JPG" width="239" /></a></div>
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This is a revisiting of Archeron's Bed. I've reworked all the elements by recreating or making new pieces to further explore this piece that was originally exhibited at LE in 2007. I'm really excited about how the work is evolving over the years and more reflective of some kind of Dante inspired walk along the bed of Acheron through some primordial/industrial wasteland.<br />
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Summary from the RE: Arrange website:<br />
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This piece, entitled Archeron’s Bed, references the mythological river of Archeron, the dark and swampy “river of pain”. This mythic river was believed to flow from the living world to Hades, the world of the dead. The duality of this river, with its important connection to both the worlds of the living and the dead, is the starting point for this work. <br />
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Archeron’s Bed, revisits and rearranges elements of Porter’s previous work. It seeks to play with and further blur the classical conceptual lines and struggle between the worlds of Humans and of Nature. The installation is simultaneously a vignette of an encroaching industrial and historical scourge, and yet embodies oceanic elements, like coral reefs, mollusks and hydrothermal vents. <br />
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Through constructs and reinterpretations of objects, drawn from his own growing and ever changing cabinet of curiosities that he has been building since childhood, Porter’s work explores loss on personal, global and mythic levels, while continuing to investigate the evolution, transgression and dissolution inherent in these themes. <br />
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Craig Porter has been practicing and exhibiting since the early 1990s. He holds a BFA – Honours (1991) from York University and an AOCAD (1996) from OCAD, where he is currently employed as the Manager, Faculty of Liberal Arts & Sciences and School of Interdisciplinary Studies. Porter has been represented by LE Gallery, Toronto, since 2004. <br />
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Porter’s work over the last decade has explored loss and the entropy of things and meaning through the retelling and recontextualization of myth, literature, popular culture references, the canons of Western European art and the minutiae of his personal experience and collected objects.Craig Porterhttp://www.blogger.com/profile/11569455170932446377noreply@blogger.com0tag:blogger.com,1999:blog-8701202736510675606.post-21132169890956601002010-11-12T06:26:00.000-08:002010-11-12T07:00:53.411-08:00Article on droit de suite<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UnJRqAtkqUs/TN1S1zyof7I/AAAAAAAAANc/SHOoBWVqywg/s1600/droite.JPG"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 171px; height: 128px;" src="http://3.bp.blogspot.com/_UnJRqAtkqUs/TN1S1zyof7I/AAAAAAAAANc/SHOoBWVqywg/s400/droite.JPG" alt="" id="BLOGGER_PHOTO_ID_5538674201124700082" border="0" /></a>Jeanette Bicknell, Ph.D. who describes herself as "... a philosopher, mediator, and business ethics consultant" is also teaching in the Faculty where I work at OCADU. So I'm lucky enough to work with her! She recently sent me an article she wrote in her blog on recent changes and challenges to the "droit de suite" (a form of royalty distribution for artists when work is resold) adopted by the EU in 2001. Jeanette gives further historical context for the practice and starts to discuss the ethical and economical issues inherent in managing this system. It is a really great article and very relevant and important for all artists, and something that needs further discussion and consideration here in North America. I hope to see further articles from Jeanette on art.<br /><br />Here is the link to the article:<br /><br /><a href="http://jeanettebicknell.blogspot.com/2010/11/droit-de-suite-and-canadian-art-market.html">http://jeanettebicknell.blogspot.com/2010/11/droit-de-suite-and-canadian-art-market.html</a>Craig Porterhttp://www.blogger.com/profile/11569455170932446377noreply@blogger.com2tag:blogger.com,1999:blog-8701202736510675606.post-15960617753862362332010-04-22T06:34:00.001-07:002012-09-21T12:34:44.508-07:00Paradise Lost: Archipelago - Bikini Beach Tango<a href="http://3.bp.blogspot.com/_UnJRqAtkqUs/S9BSPp6uO7I/AAAAAAAAANM/0nFOaxCsHlA/s1600/Porter_evite.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5462956776904080306" src="http://3.bp.blogspot.com/_UnJRqAtkqUs/S9BSPp6uO7I/AAAAAAAAANM/0nFOaxCsHlA/s400/Porter_evite.jpg" style="cursor: pointer; display: block; height: 397px; margin: 0px auto 10px; text-align: center; width: 537px;" /></a><br />
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New sculptural works by Craig Porter at LE Gallery. Opening Friday, April 30 at 7pm at LE.<br />
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This show is a short stop over from Porter's Archipelago Trilogy to the small grouping of the Marshall Islands, specifically Bikini Atoll. Starting in the 1940s, Bikini Atoll was one of the sights in the South Pacific for the U.S.'s nuclear warhead testing.<br />
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Porter explores the legacy and irony of the atom bomb in the present post cold war world and into the unforeseeable future. He explores the transgression and absurdity of meaning in the shadow of the apocalyptic mushroom cloud.<br />
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Grass skirts, Geiger counters, Speedos/bikinis and coconut radios (thanks Gilligan!) not supplied, so bring your own!<br />
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Installation shots:<br />
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<span style="color: black; font-family: Avenir-Roman; font-size: 10.0pt;">Bikini</span><span style="color: black; font-family: Avenir-Roman; font-size: 10.0pt;"> Beach</span><span style="color: black; font-family: Avenir-Roman; font-size: 10.0pt;"> Tango: How I Learned to Stop</span></div>
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<span style="color: black; font-family: Avenir-Roman; font-size: 10.0pt;"> Worrying
and Love the Bomb - 2010</span></div>
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<a href="http://2.bp.blogspot.com/-NOArYT7SjMU/UFydvr5CSVI/AAAAAAAAAOM/ASHT1oqQZ94/s1600/Porter_DeathsHart3+(8).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="http://2.bp.blogspot.com/-NOArYT7SjMU/UFydvr5CSVI/AAAAAAAAAOM/ASHT1oqQZ94/s320/Porter_DeathsHart3+(8).jpg" width="240" /></a></td></tr>
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----------------------------------------</div>
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<tr><td class="tr-caption" style="text-align: center;">The Gorgons (Multiple turtle/jellyfish<br />
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<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-EffdzJx9oWA/UFyd1bRMqdI/AAAAAAAAAPE/8kZbbHgOqb8/s1600/Porter_Ryder+(15).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="http://4.bp.blogspot.com/-EffdzJx9oWA/UFyd1bRMqdI/AAAAAAAAAPE/8kZbbHgOqb8/s320/Porter_Ryder+(15).jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="artwork">
Ryder of the Apocalypse & Pigs of </div>
<div class="artwork">
War out for a Walk - 2010</div>
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<tr><td class="tr-caption" style="text-align: center;"><div class="artwork">
Ryder of the Apocalypse & Pigs of War out for a </div>
<div class="artwork">
Walk (Detail) - 2010</div>
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Ryder of the Apocalypse & Pigs of War out for a</div>
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Walk (Detail) - 2010</div>
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<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-7O9WAGaabJM/UFyd3673EII/AAAAAAAAAPk/5EF4A-ToAMM/s1600/Porter_SecondComing+(10).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="http://3.bp.blogspot.com/-7O9WAGaabJM/UFyd3673EII/AAAAAAAAAPk/5EF4A-ToAMM/s320/Porter_SecondComing+(10).jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Second Coming - 2007 & 2010</td></tr>
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<br />Craig Porterhttp://www.blogger.com/profile/11569455170932446377noreply@blogger.com0tag:blogger.com,1999:blog-8701202736510675606.post-18205982159133444002009-02-25T14:28:00.001-08:002009-02-26T14:15:47.861-08:00Paradise Lost: Archipelago<div style="text-align: center;"><div style="text-align: center;"><span style="font-weight: bold;">Works in Progress</span><br /><span style="font-weight: bold;">2009</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaV_om36sHI/AAAAAAAAAFg/B8Bi_lXCYJg/s1600-h/Galapagos+Invite+highfor+press.jpg"><img style="cursor: pointer; width: 224px; height: 320px;" src="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaV_om36sHI/AAAAAAAAAFg/B8Bi_lXCYJg/s320/Galapagos+Invite+highfor+press.jpg" alt="" id="BLOGGER_PHOTO_ID_5306788071532572786" border="0" /></a><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaV_oRlnkZI/AAAAAAAAAFQ/OUkvF1mtw0s/s1600-h/Archeron%E2%80%99s+Bed+%28Detail%29.+Craig+Porter.+2007.+LE.jpg"><img style="cursor: pointer; width: 259px; height: 347px;" src="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaV_oRlnkZI/AAAAAAAAAFQ/OUkvF1mtw0s/s320/Archeron%E2%80%99s+Bed+%28Detail%29.+Craig+Porter.+2007.+LE.jpg" alt="" id="BLOGGER_PHOTO_ID_5306788065818677650" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UnJRqAtkqUs/SabMeOSKZAI/AAAAAAAAAKc/KdNQU7WmaPc/s1600-h/Dante%27s+Cosmology+%28Taschenp41%29.jpg"><img style="cursor: pointer; width: 232px; height: 347px;" src="http://3.bp.blogspot.com/_UnJRqAtkqUs/SabMeOSKZAI/AAAAAAAAAKc/KdNQU7WmaPc/s320/Dante%27s+Cosmology+%28Taschenp41%29.jpg" alt="" id="BLOGGER_PHOTO_ID_5307154030505124866" border="0" /></a></div><br /></div><div style="text-align: justify;">Paradise Lost: Archipelago is a current series of three installations in process. The first installation, <span style="font-style: italic;">Galapagos</span>, was shown at LE Gallery in June, 2007. The second installation, <span style="font-style: italic;">Easter</span>, is to be shown at LE Gallery in November, 2009, to be followed by <span>the final </span><span>show,</span><span style="font-style: italic;"><span style="font-style: italic;"> </span>Hawaii</span>, in 2010.<br /><br />The images on this page are taken from the first show <span style="font-style: italic;">Galapagos</span>. Further images and writings for <span style="font-style: italic;">Paradise Lost I: Galapagos</span> can be found in the "Shows 2007" label or "Archive" of this blog.<br /></div><br /><style type="text/css">.nobrtable br { display: none }</style><br /><div class="nobrtable"><br /><center><table border="0"><br /><tbody><tr><br /><td><a href="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaVlDXireMI/AAAAAAAAAD8/Kh2DIIY-pDA/s1600-h/Deus+Ex+Machina+-+The+Light+Bearer+Also+Rises+%28Detail%29.+Craig.+Porter.+2007.+LE.jpg" target="_blank" title="Deus Ex Machina, The Light Bearer Also Rises (Detail). Craig Porter. June 2007. LE Gallery"><br /><img src="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaVlDXireMI/AAAAAAAAAD8/Kh2DIIY-pDA/s320/Deus+Ex+Machina+-+The+Light+Bearer+Also+Rises+%28Detail%29.+Craig.+Porter.+2007.+LE.jpg" alt="pic name" width="220" height="200" /></a></td><br /><td><a href="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaVlDVpbUoI/AAAAAAAAAD0/-y8pWuxNpFQ/s1600-h/Charon.Craig+Porter.2007.LE.jpg" target="_blank" title="Charon. Craig Porter. June 2007. LE Gallery"><br /><img src="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaVlDVpbUoI/AAAAAAAAAD0/-y8pWuxNpFQ/s320/Charon.Craig+Porter.2007.LE.jpg" alt="pic name" width="150" height="200" /></a></td><br /><td><a href="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaV_oRjjY6I/AAAAAAAAAFY/KSzIQ1DuEBQ/s1600-h/Deus+Ex+Machina+-+The+Light+Bearer+Also+Rises+%28Detail%29+2.+Craig.+Porter.+2007.+LE.jpg" target="_blank" title="Deus Ex Machina, The Light Bearer Also Rises (Detail 2). Craig Porter. June 2007. LE Gallery"><br /><img src="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaV_oRjjY6I/AAAAAAAAAFY/KSzIQ1DuEBQ/s320/Deus+Ex+Machina+-+The+Light+Bearer+Also+Rises+%28Detail%29+2.+Craig.+Porter.+2007.+LE.jpg" alt="pic name" width="220" height="200" /></a></td><br /></tr><tr><br /><th align="center"><center><small><small>Deus Ex Machina, The Light Bearer</small></small></center><small><small><br /></small></small><center><small><small>Also Rises (Detail)</small></small></center></th><br /><th align="center"><center><small><small>Charon</small></small></center></th><br /><th align="center"><center><small><small>Deus Ex Machina, The Light Bearer</small></small></center><small><small><br /></small></small><center><small><small>Also Rises (Detail 2)</small></small></center></th><br /></tr><br /><tr><br /></tr><br /></tbody></table><br /></center></div>Craig Porterhttp://www.blogger.com/profile/11569455170932446377noreply@blogger.com1tag:blogger.com,1999:blog-8701202736510675606.post-6609094589395676502007-01-10T10:51:00.000-08:002009-03-06T11:18:38.482-08:00OCAD - Staff After Hours<div style="text-align: center; font-weight: bold;"><span style="font-weight: bold;"></span>
<br /><span style="font-weight: bold;">January 10 - February 12, 2007</span>
<br />Group Show
<br /><span style="font-weight: bold;">OCAD Professional Gallery</span>, Toronto, Ontario
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<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UnJRqAtkqUs/SacRQlscv3I/AAAAAAAAALc/Lb7FPgGx-O8/s1600-h/Icarus%27+Vain+Search+for+the+Lost+Moon+Landing+Videos5.+Craig+Porter.+OCAD+Prof+Gallery.+2007.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 200px;" src="http://4.bp.blogspot.com/_UnJRqAtkqUs/SacRQlscv3I/AAAAAAAAALc/Lb7FPgGx-O8/s200/Icarus%27+Vain+Search+for+the+Lost+Moon+Landing+Videos5.+Craig+Porter.+OCAD+Prof+Gallery.+2007.jpg" alt="" id="BLOGGER_PHOTO_ID_5307229662573543282" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UnJRqAtkqUs/SacR28wI8kI/AAAAAAAAALk/yyusfCwq5Zo/s1600-h/Icarus%27+Vain+Search+for+the+Lost+Moon+Landing+Videos6.+Craig+Porter.+OCAD+Prof+Gallery.+2007.jpg"><img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 150px; height: 200px;" src="http://1.bp.blogspot.com/_UnJRqAtkqUs/SacR28wI8kI/AAAAAAAAALk/yyusfCwq5Zo/s200/Icarus%27+Vain+Search+for+the+Lost+Moon+Landing+Videos6.+Craig+Porter.+OCAD+Prof+Gallery.+2007.jpg" alt="" id="BLOGGER_PHOTO_ID_5307230321598067266" border="0" /></a>
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<br /><div style="text-align: justify;">This exhibition wa<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UnJRqAtkqUs/SacRQe9nLGI/AAAAAAAAALU/eskmImLSzwg/s1600-h/Icarus%27+Vain+Search+for+the+Lost+Moon+Landing+Videos+11.+Craig+Porter.+OCAD+Prof+Gallery.+2007.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 150px;" src="http://2.bp.blogspot.com/_UnJRqAtkqUs/SacRQe9nLGI/AAAAAAAAALU/eskmImLSzwg/s200/Icarus%27+Vain+Search+for+the+Lost+Moon+Landing+Videos+11.+Craig+Porter.+OCAD+Prof+Gallery.+2007.jpg" alt="" id="BLOGGER_PHOTO_ID_5307229660766481506" border="0" /></a>s a great opportunity for me to show the OCAD community and my colleagues, what my chosen profession and passion really is. I did one piece for the show, which was first shown at LE Gallery's third anniversary show of October 2006. The piece was entitled <span style="font-style: italic;">Icarus' Vain Search for th</span><span style="font-style: italic;">e Lost Moon Landing Videos</span>. This title was a really more bizarre and playful work, incorporating my nerd first love, Star Wars' Death Star topped off with my mom's hair extension wig from the 1960s. A sleeping beauty inspired mirror with creepy purple dripping chicken foot hung on the wall under a cantilevered crane arm beckoning the viewer to peer into the tiny toy mirror, while it loosely held on the the rope/string that kept the Death Star aloft through a pulley at the end of that crane arm. On the floor, a candelabra turned upside down with a tentacles emerging from where candle sticks would have been housed, slithered towards the Death Star. On the base/platform of the upside down candelabra, a teetering and tenuously balanced scaffold emerged with a another smaller tentacle sprouting from a sliver leaf urn holding or grabbing for a silver leafed pig with wings. Pigs definitely were meant to fly in the face of Man losing the most convincing evidence that we held supporting the fact (or theory) that Man set foot on the Moon in 1969.
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<br />The title was inspired from a news item that had little play in the media, that the original Moon landing video was discovered missing in late summer of 2006. There was other footage shown on TV, but it was grainy and didn't have the resolution that the original magnetic tapes beamed to and recorded by a few dishes, like the fam<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UnJRqAtkqUs/SacR3XVKKnI/AAAAAAAAALs/dVSqx63-eeI/s1600-h/Icarus%27+Vain+Search+for+the+Lost+Moon+Landing+Videos+12.+Craig+Porter.+OCAD+Prof+Gallery.+2007.jpg"><img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 150px; height: 200px;" src="http://1.bp.blogspot.com/_UnJRqAtkqUs/SacR3XVKKnI/AAAAAAAAALs/dVSqx63-eeI/s200/Icarus%27+Vain+Search+for+the+Lost+Moon+Landing+Videos+12.+Craig+Porter.+OCAD+Prof+Gallery.+2007.jpg" alt="" id="BLOGGER_PHOTO_ID_5307230328732658290" border="0" /></a>ous Parkes dish in Australia. This was especially important to find because no copies had been <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UnJRqAtkqUs/SacRQNPYM9I/AAAAAAAAALM/lwIBeQF57Gw/s1600-h/Icarus%27+Vain+Search+for+the+Lost+Moon+Landing+Videos+3.+Craig+Porter.+OCAD+Prof+Gallery.+2007.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 200px;" src="http://2.bp.blogspot.com/_UnJRqAtkqUs/SacRQNPYM9I/AAAAAAAAALM/lwIBeQF57Gw/s200/Icarus%27+Vain+Search+for+the+Lost+Moon+Landing+Videos+3.+Craig+Porter.+OCAD+Prof+Gallery.+2007.jpg" alt="" id="BLOGGER_PHOTO_ID_5307229656009159634" border="0" /></a>made and the only technology that could view and make a copy of the tapes was due to shut down by 2007. To date (February, 2009) the tapes have still not been found.
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<br />I love this odd bastard child work, it had elements that just seemed so carefully insane. I felt like I had taken leave of myself, and it had started with a day dream I had working on the last of <span style="font-style: italic;">Liars Have Need to Have Good Memory</span> (2005), where I imagined this candelabra that walked off by itself like some of the sculptures that appeared in the movie Beetle Juice (1988) by Tim Burton. Odd juxtapositions blossomed, like a 24k gold Death Star model hovering over the skeleton of a building (scaffold) moving with hermit crab like intentions by tentacles, which were becoming more realized and now purple, compared to my earlier less plastic and graphite covered small tentacles on the <span style="font-style: italic;">Laocoon In Hades</span> work from <span style="font-style: italic;">Liars </span><span style="font-style: italic;">Have Need to Have Good Memory</span> show in (2005). It just looked like it was going to topple over at any moment. Truth was is was very delicate and precarious, but I'm obsessed with making things stable, but creating the illusion of things about to fall over, to give them that more tenuous and precious tenacity of catching something in some shocking-caught-in-the-act Wee Gee like flash photograph before it all comes crashing to a pile of rubble.
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<br /><div style="text-align: left;">Here is what I wrote about it prior to this show in November, 2006:
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<br />In this latest piece there is a role-play of characters and objects in a contemporary context. I reference classical mythology and contemporary popular culture (a new mythology to some) by introducing Icarus and icons from the Star Wars saga. Just as Icarus' story is a tragedy of classical and epic mythological proportions, so too is the Star Wars space opera.
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<br />Icarus: tried to escape from the kingdom of King Minos (Island of Crete) with his father Daedalus, after being imprisoned in a tower. During the escape, Icarus falls to his death into the ocean by flying too close to the sun with wings constructed from feathers and held together with beeswax, despite Daedalus’ warnings. He was doomed by his own hubris and his father’s past injustices.
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<br />The Death Star: those who would be caught by its gaze would be doomed, whether it was a planet or fighter ships. Its power was great, but like any great villainous icon it had its weakness, just as the Gorgons (Medusa) had their own. The Death Star, with a serpentine sculpted wig in this work, bears an ironic if not satirical resemblance to one of the Gorgons. It also alludes to a moon, just as it was confused for in the movie of Star Wars.
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<br />These two elements together play out the recent drama of NASA losing significant original moon landing videos. Although on the surface this event seems absurd, the lost videos are representative of a significant and tragic loss, which questions and challenges our very recent past glorified odyssey of landing a man on the moon. This event, without our contemporary need for concrete or photographic truth, now seems more like myth than fact, and it lends further creed to those who believe and tell the stories that the moon landings never even took place, but were staged by NASA and televised from movie sets.
<br /><meta name="ProgId" content="Word.Document"><meta name="Generator" content="Microsoft Word 11"><meta name="Originator" content="Microsoft Word 11"><link rel="File-List" href="file:///C:%5CDOCUME%7E1%5Cporterc%5CLOCALS%7E1%5CTemp%5Cmsohtml1%5C01%5Cclip_filelist.xml"><o:smarttagtype namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PlaceType"></o:smarttagtype><o:smarttagtype namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PlaceName"></o:smarttagtype><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" latentstylecount="156"> </w:LatentStyles> </xml><![endif]--><!--[if !mso]><object classid="clsid:38481807-CA0E-42D2-BF39-B33AF135CC4D" id="ieooui"></object> <style> st1\:*{behavior:url(#ieooui) } </style> <![endif]--><style> <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:72.0pt 90.0pt 72.0pt 90.0pt; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} </style> <![endif]--></div></div>Craig Porterhttp://www.blogger.com/profile/11569455170932446377noreply@blogger.com1tag:blogger.com,1999:blog-8701202736510675606.post-65533261461455172262004-01-01T15:41:00.000-08:002009-03-02T07:20:37.837-08:00Wax and Wane<div style="text-align: center;"><br /><span style="font-weight: bold;">March 30 - April 11, 2004</span><br /><span style="font-weight: bold;">Group Show: Craig Porter & Tania Jaggi Kerr</span><br /><span style="font-weight: bold;">LE Gallery, Toronto, Ontario</span><br /></div><br /><div style="text-align: center;"><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UnJRqAtkqUs/SaWJJb_0oTI/AAAAAAAAAGA/UMK0gYNW3WA/s1600-h/Spectre+%28full%29.+Craig+Porter.+Wax+and+Wane.+March+2005.jpg"><img style="cursor: pointer; width: 320px; height: 165px;" src="http://1.bp.blogspot.com/_UnJRqAtkqUs/SaWJJb_0oTI/AAAAAAAAAGA/UMK0gYNW3WA/s320/Spectre+%28full%29.+Craig+Porter.+Wax+and+Wane.+March+2005.jpg" alt="" id="BLOGGER_PHOTO_ID_5306798531153273138" border="0" /></a><br /><br /></div><div style="text-align: justify;"><span style="font-style: italic;">Wax and</span><span style="font-style: italic;"> Wane</span> was the first major show of mine since 1996, after a group show in the AGO titled <span style="font-style: italic;">Ar</span><span style="font-style: italic;">t Of Darkness</span>. Between this period I had been creating smaller works for friends, collecting stuff and archiving it in my Mom's basement. I was mostly doing a lot of writing/drawing in sketch books, but I had become a victim of needing to make money and earn a livelihood from the left side of my brain. I was lured into Financial Services and became a Junior Financial Planner for almost 4 years starting in 1996. I also moved back permanently to Toronto 2001.</div><div style="text-align: justify;"><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaWKEA0YgjI/AAAAAAAAAHo/Q33JjKBkNag/s1600-h/3364+Days+After+the+Flood.+Craig+Porter.+Wax+and+Wane.+March+2005.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 202px; height: 320px;" src="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaWKEA0YgjI/AAAAAAAAAHo/Q33JjKBkNag/s320/3364+Days+After+the+Flood.+Craig+Porter.+Wax+and+Wane.+March+2005.jpg" alt="" id="BLOGGER_PHOTO_ID_5306799537469817394" border="0" /></a><span style="font-style: italic;">Wax an</span><span style="font-style: italic;">d Wane</span> primarily revisited earlier explored themes of personal meaning and its creation and subsequent loss. The work for this show, as well as the prior work in the mid 90s through to the present (2009), is mediated through some of conventions of storytelling, using mythology (primarily Greek/Roman) and the suggestion of narrative as a building blocks and reference. I chose the title for the show, <span style="font-style: italic;">Wax and Wane</span>, to connote loss (for both Tania and I), and liked how it suggested cyclic appearance and disappearance (of the moon) and on a real personal level addressed creation and destruction, of things and meaning in the context of this show. I wanted to address these themes and how it unraveled and wove (I like the reference to the three Fates weaving the lives of Man) as narrative in relation to the art object, with their<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UnJRqAtkqUs/Sadk5kPfPUI/AAAAAAAAAME/rfDOyc7vYRg/s1600-h/Orpehus+turns....+%28Detail+2%29+Craig+Porter.+Wax+and+Wane.+March+2004.jpg"><img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 200px; height: 135px;" src="http://3.bp.blogspot.com/_UnJRqAtkqUs/Sadk5kPfPUI/AAAAAAAAAME/rfDOyc7vYRg/s200/Orpehus+turns....+%28Detail+2%29+Craig+Porter.+Wax+and+Wane.+March+2004.jpg" alt="" id="BLOGGER_PHOTO_ID_5307321626023378242" border="0" /></a> own interaction and the viewer, all the while being cognizant of the context of being "Art Work" in a gallery.<br /><br />The stories and myths referenced in tandem with the art works, evoked loss and tragedy framed by titles, such as,"Orpheus Turns...", and referencing the flood story, a disastrous event which shows up in most major mythologies in variations (Greek, Norse, many Aboriginal myths and stories ,and, most relevant to this show, the Christian Biblical story of <span style="font-style: italic;">Noah and The Flood</span>).<br /></div><br /><div style="text-align: justify;">The material in the work seems almost ancient, or ready to fall apart and rot. I intended the work to have a very earthen look and pallet, as if the wor<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UnJRqAtkqUs/SaWKoARiDHI/AAAAAAAAAH8/zHByPCPrbIQ/s1600-h/3364+Days+After+the+Flood+%28Detail%29.+Craig+Porter.+Wax+and+Wane.+March+2005.jpg"><img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 320px; height: 214px;" src="http://2.bp.blogspot.com/_UnJRqAtkqUs/SaWKoARiDHI/AAAAAAAAAH8/zHByPCPrbIQ/s320/3364+Days+After+the+Flood+%28Detail%29.+Craig+Porter.+Wax+and+Wane.+March+2005.jpg" alt="" id="BLOGGER_PHOTO_ID_5306800155798932594" border="0" /></a>ks had just recently been unearthed or entombed for thousands of years. I made objects, like an alien elongated human jaw with bees wax cast rows of teeth melted on and dripping, and decrepit wooden scaffold that looked like it had been through a flood with rusted wire and rotted rope holding it barely together, to create the illusion of relics or antiquities.<br /><br />Using bee's wax and cinnamon helped to invoke pleasant memory, as the scent teased my memory and bubbled out into this temporal and manifest stream of consciousness installation. I found that using Wax/honey (material/food that has been found in Egyptian tombs, surviving thousands of years only to still be edible and intact) was that fecund connection to a past: ancient; yet, fragile and capable of sustenance.<br /><br />My Grandfather (Inchley) had a farm where he also kept bees, and I've always been fascinated with bees, their culture, history and mythology. Bees were revered in ancient cultures as having a connection to the mortal world and underworld simultaneously, and even in early Western European cultures bees where barometers of a family and their relative health and happiness. Bees could only be raised in a happy harmonious family and bees had to be talked to and told news on a regular basis, especially when families were in trouble or when family members died, lest the bees themselves suffer. This became a ritual: "telling of the bees", whose practice was first established in Hellenistic Greece. This was my belated "telling of the bees" ritual, in hopes that the hive could once again be revived from the seemingly dead.<br /><br /></div><div style="text-align: justify;">This show <span style="font-style: italic;">had</span> been entombed inside of me inside of me for over seven years, and its dust and mildew made me itch. This was the second (the first being <span style="font-style: italic;">Frequency</span> in 1996) and more developed show that attempted to reconcile many losses that occurred to me over the period of ten years : of family, friends, collected things/treasures, now forever lost to death, time, earth and real flood waters. The spectres of these all haunted me, and in an attempt to appease and exorcise their spirits, I created these works. The shows that would follow this exhibition expanded further on loss, but also on the curiosity of how loss evolves and is manifested itself into a shape, in terms: memento, or <span style="font-style: italic;">memento mori</span>. I am interested in playing with how a collection serves and is served by the collector, as much as it is the audience that happens upon our respective <span>"cabinets of curiosity"</span>.<br /><br /><br /><br /><br /><br /><br /><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UnJRqAtkqUs/SaWLgqU8SOI/AAAAAAAAAIo/2dklYzQDNFw/s1600-h/Orpehus+turns....+Craig+Porter.+Wax+and+Wane.+March+2005.jpg"><img style="cursor: pointer; width: 240px; height: 320px;" src="http://2.bp.blogspot.com/_UnJRqAtkqUs/SaWLgqU8SOI/AAAAAAAAAIo/2dklYzQDNFw/s320/Orpehus+turns....+Craig+Porter.+Wax+and+Wane.+March+2005.jpg" alt="" id="BLOGGER_PHOTO_ID_5306801129160198370" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UnJRqAtkqUs/SaWLg2TPnMI/AAAAAAAAAIw/wfvHoW1VgGA/s1600-h/3364+Days+After+the+Flood+%28Detail+2%29.+Craig+Porter.+Wax+and+Wane.+March+2005.jpg"><img style="cursor: pointer; width: 214px; height: 320px;" src="http://2.bp.blogspot.com/_UnJRqAtkqUs/SaWLg2TPnMI/AAAAAAAAAIw/wfvHoW1VgGA/s320/3364+Days+After+the+Flood+%28Detail+2%29.+Craig+Porter.+Wax+and+Wane.+March+2005.jpg" alt="" id="BLOGGER_PHOTO_ID_5306801132374301890" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaWLg2dZDyI/AAAAAAAAAI4/myJAznWyLsQ/s1600-h/Installation+Shot.+Craig+Porter.+Wax+and+Wane.+March+2005.jpg"><img style="cursor: pointer; width: 250px; height: 320px;" src="http://4.bp.blogspot.com/_UnJRqAtkqUs/SaWLg2dZDyI/AAAAAAAAAI4/myJAznWyLsQ/s320/Installation+Shot.+Craig+Porter.+Wax+and+Wane.+March+2005.jpg" alt="" id="BLOGGER_PHOTO_ID_5306801132416864034" border="0" /></a></div><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UnJRqAtkqUs/SaWLIW_UltI/AAAAAAAAAIE/-NvYdF9RS84/s1600-h/Installation+Shot.+Craig+Porter.+Wax+and+Wane.+March+2005.jpg"><br /></a></div>Craig Porterhttp://www.blogger.com/profile/11569455170932446377noreply@blogger.com1